Mali Morris

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	...Morris conceives of painting as an art of layering. Opacities and translucencies are overlaid and juxtaposed to create an image in which space moves through colour and colour through space. The result is a luminous clarity, even a kind of innocence, but one whose affirmation is simultaneously deconstructed, with formal relationships teased apart to reveal subtle contradictions and complexities... Essay by Sam Cornish reprinted in Wall Street International
Wilbury Three 2017 120 x 150cm Acrylic on canvas Private Collection

...This painting, although frontal in its composition, has the ability to draw the viewer back into the space. The choppy brush strokes within the bone-black rectangles draw the eye, as the gestures are relaxed but incisive... Different, unexpected happenings within each rectangle trigger an originality and uniqueness... Laurence Noga reviewing Kaleidoscope at FOLD Gallery, London, August 2016 on http://www.saturationpoint.org.uk/Kaleidoscope.html
Second Stradella 2016 198 x 214cm Acrylic on canvas

	… In Mali Morris's abstract paintings, although there is clear enjoyment of the materiality of the paint, it's de-materialisation into colour and light is more important. And if the physical stuff of paint is transmuted into light, the artist's toil is transformed into play. The paintings are joyous, fun even, but in the same way that in dance, much effort is expended in making it look easy… Andy Parkinson reviewing Nine Painters, Syson Gallery, Nottingham, May 2017, curated by Richard Davey
Together 2011 70 x 80cm Acrylic on canvas

Hear, Hear - Jerwood Visual Arts Hear, Hear...a bursary of £10,000 and the opportunity to be mentored by artists and selectors, Marcus Harvey, Mali Morris and Fabian Peake. Eleanor Nairne, Writer in Residence at Jerwood Foundation, 2013 http://blog.jerwoodvisualarts.org/?m=201303
Crossings (Small) 2014 25.5 x 31cm Acrylic on canvas
	… I don't know that I have ever seen colour so luminous, or space, self-evidently the result of painterly gesture or manipulation, so mysterious… Andy Parkinson reviewing 'Without An Edge There Is No Middle', Pluspsace, Coventry, 2013
Blue Flame 2004 24 x 30cm Acrylic on canvas

... And there is movement between the seven disks…. I become aware of my own process of attention-giving and how this very act brings one event momentarily to the fore while another recedes… After all, it is paint we are looking at here, and painting that is resolutely and magnificently abstract… Andy Parkinson reviewing Mali Morris: Back To Front at Eagle Gallery, London, 2012 http://patternsthatconnext.wordpress.com/
		Seven/Mesh 2012 45 x 60cm Acrylic on canvas Private Collection

	… Mali Morris’ paintings, energised by their interplay of the planned and the spontaneous, both hide and reveal. First, she covers the canvas with a variety of bright colours; second, she covers those with darker strokes; third, she niftily sponges off small shapes – often dots, recently squares, too - from the top surface. Typically, she’ll go through that cycle several times before she’s satisfied with the push and pull between accumulating layers, and the exactness of the colour-chord discovered. Though far from didactic, I wonder if they might suggest that, while we all have hidden depths, we need to find a social way to display and harmonise them. Paul Carey-Kent, review of Back to Front at Eagle Gallery, 2012, in the Saatchi Online Magazine
Dark Mesh 2012 35 x 44cm Acrylic on canvas Private Collection

... there is a silent intensity, all the more mysterious as we realise that what we are experiencing is light more than colour and space as much as forms... she has achieved this economy slowly, through years of intelligent, observant work. Norbert Lynton, Contemporary Visual Arts, Issue 15
Breath 1997 171 x 197cm Acrylic on canvas

	… I admired the shimmering transparency that Morris achieves in ‘Third Party’ (1979), now in a retrospective of her work since the 1970’s at Poussin Gallery. Matthew Collings, Diary, Modern Painters, February 2006
Third Party 1979 208 x 139cm Acrylic on canvas

… Mali Morris is an artist to cherish, whose relaxed and candid paintings have an atmosphere in which nuance and bluntness co-exist. Tim Hilton, The Guardian
		Black Diamond Encircled 1989 99 x 142cm Acrylic on canvas Private Collection

	... and (yes, OK, my favourite) Mali Morris’ brilliant abstract, Plural on Red. Charles Darwent, reviewing John Moores, Independent on Sunday 2002
Plural on Red 2002 40 x 51cm Acrylic on canvas Private Collection

... there's a fantastic, edible abstract, Marron Glacé, by Mali Morris. Charles Darwent reviewing RA Summer Exhibition, Independent on Sunday, June 2008
Marron Glacé 2008 30 x 40 cm Acrylic on canvas Private Collection

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